Dunin-Marcinkiewicz treated differently masses. And so he could not be rat tykam what all my heart

All the life and work of Dunin-Marcinkiewicz ministry civic ideals, in an effort to elevate people spiritually and morally. Let not all of the ideals that inspired Dunin-Marcinkiewicz was the most advanced hornbunny at the time, his work - a bright page in the artistic image of a very large segment of the history of the Belarusian people. Almost half a century writer wrote, but for the time gyty Belarus became the feudal capitalist, having survived the illusory hopes of liberation from serfdom, the heroic days of the uprising of 1863 and the tragedy of his defeat, then the first two decades pareformennaga time who made their dramatic adjustments in the life of the Belarusian cities and villages covered by the rapid development of capitalism.
Two periods are usually divided creative way Dunin-Marcinkiewicz - dareformennay and post-reform. But all his work reveals a fairly solid, once formed and little touched by other influences worldview. What has shaped this world, what circumstances the poet's life that ideological influence, literature literary movement, public relations and contacts?
In farce, hornbunny vaudeville Dunin-Marcinkiewicz "Pinsk Gentry" svaraetstsa together two families. And all because of the fact that John Lipsky Tyuhay-called Tikhon Pratasavitskaya guy. And how can you forgive such a "deadly" insult Pinsk gentry as possible thereafter to agree to marry the daughter of Mary and her son Pratasavitskaya Grishka?!
"Pinsk Gentry" - a remarkable achievement of the Belarusian hornbunny national drama. Before the appearance of "fashionable gentleman" K. Kagantsa and "Pavlinka" Kupala it was the first Belarusian comedy. She's not leaving the stage and arrogant professional theaters in Belarus. Rich comic, it nevertheless is very serious, as a continuation hornbunny by other means, the struggle waged by Dunin-Marcinkiewicz in the uprising of 1863.
"Pinsk Gentry" was written after the 1863 uprising. Defeat it was finally historic defeat of the Polish, including Belarus, gentry, infection by the ideals that he Dunin-Marcinkiewicz sympathizer who preached. Neither the Polish nor the Belarusian nobility after 1863 on the historical arena as much as - a significant historical force is no longer published. Yes, the future of public activity for centuries, know in the history of Polish and Belarusian people, on the one hand, put forward hornbunny a brilliant revolutionary leaders - T. Kosciuszko, A. Mickiewicz, W. Wroblewski, J. Dombrowski, on the other hand, from its environment by highlighting - chyvsya type arrogant proud. Legally in Poland hornbunny as a state shlyahets- FIR Carta all nobles were equal: Tycoon and the last of the impoverished representatives of the so-called cowboy nobility. Using Sharashkina gentry in their political hornbunny intrigues tycoons corrupting its politically and morally. In the end, and folding type nobleman assertive, proud, caste, in terms of Be- B - intolerant of the national environment, neglect everything peasant, though in everyday life nor life, nor the work of a peasant like nobleman hornbunny was no different.
Dunin-Marcinkiewicz treated differently masses. And so he could not be rat tykam what all my heart did not take in splendid, far from the people gentry. "Pinsk gentry" and has become a work in which the playwright will pay with myopia shlyah- you with her class, paitychnay limited. Dunin-Marcinkiewicz ridiculed quenched ranelae gentry reluctance to become close to the people, its pride, caste egoism fanaberlivasts, hornbunny considering all this as the cause of the defeat hornbunny of the uprising in 1863. Thus, laughter Dunin-Marcinkiewicz born from AMD in 1863 from infection by bitterness.
Today "Pinsk Gentry" hornbunny as a farce, vaudeville primarily affects the fact that on the surface of it, as follows from the family and domestic conflicts, with characteristic only of the genre vaudeville Easily bone playfulness, wit. But the genre of slapstick, vaudeville, its lightness and superficiality allegedly did not overshadow the play of the primary, most importantly - the seriousness of its social hornbunny aim. Simultaneously, satirist and opens fire on antynarodnastsi nobles and the king, whose power is in the "Pinsk gentry" "royal crown" - court official hooks.
Dunin-Marcinkiewicz - brilliant, virtuoso vaudeville-Fours: deployment stage intrigue vykarystavannya solo singing, duets, dances, rhymes, organizing mass scenes. Belarusian word in its full gareznastsyu. In the mouth of one character is rough and vulgar (Tikhon Protosovitsky, Kutorga), in others - letutsenna-brooding (Maryska, Grisha), in the third - abkazёnenae lexical us refereeing (Kryuchkov, Pisulkin).
Deep individualization of characters in the play is not. It's such a comedy of manners, where the carriers are the characteristic vices gradually everything and resentful hornbunny Tikhon Protosovitsky and abuser Ivan Tyuhay-Lipsky and Statkevich and Olpensky, which brought Kryuchkov for another quarrel, hoping for a new "Harvest". Equally, the same way like knowing and expressed in a scene from the flogging. Each of the gentry last penny is ready to give to only if it will really hack