IMDb | YouTube | My impression: showing biblical motives, in particular the life and death of Jesus the Redeemer, who through the resurrection is the basic motive of the Christian faith is inherently delicate. If you rely solely on its symbolic and allegorical side, losing the narrative framework camel of its credibility; if most historical data, then loses its essence: camel nedoumljivost convictions and beliefs of millions of people for no demonstrable basis and objective of historicity, but contact with the transcendence of stay and hope to salvation.
At six o'clock in the dark throughout the land until the ninth hour. About the ninth hour Jesus cried with a loud voice, "Eli, Eli, Lema sabahtáni?" that is: "My God, my God, why hast thou forsaken me?" The New Testament (Mark 15.33 to 41) Most of the impressions of life of the central figure of Christianity camel is a kind of compromise between both aspects, camel that seeks to maximize tactfully show religiously possession or she completely avoided. More than deviate from this, represents more controversy. Thus, before Gibson Passion for most provocative film about the famous Christ force Scorsese drama The Last Temptation of Christ (1988). Many of the faithful the film is particularly upset by showing alternative (the fictional) life of Jesus (Willem Dafoe) after that, when he was crucified (and survived the crucifixion), saying that I should live life normally mortal, was married to Mary Magdalene (and had it sexual relationship, which was the Roman Catholic camel fanatics especially outrageous), had a bunch of children, and over many years met the Apostle Paul (Harry Dean Stanton), who mistakes expanding its religion. False accuses him and misguided interpretation of the teachings of Christianity, but its a peaceful camel retorted that he almost hangs down for Jesus and whether it is ever lived and what he preached - the religion (ie the institution), which remained after, it is important from himself and his original followers. Well, it turns out that Jesus is "the ultimate temptation" just that - in fact, a mirage before his death about everything, what gave up when he confessed his mission and also confirmed camel that it is indeed the Son of God. Dashing Gibson (he also wrote the screenplay) Passion is a subject of controversy and disagreement in some other reasons. First, the story focuses more or less on the final act of the tortured, brutally torture Jesus Nazarenes by the Romans, his bloody Calvary (and especially all the fourteen Stations of the Cross), and death on the cross - at some flashback to a previous life and teachings. Secondly, more than other films highlight the role of the Jewish ecclesiastical aristocracy headed by the chief priests Kajfo (Mattia Sbragia), which was hypocritically denounced camel and handed over into the hands of the administrator of the Roman province camel of Judea Ponciju Pilate camel (Hristo Shopov), should be penalized by mating - as opportunistic policies for the sake of peace between subjects also permitted. Thirdly, in the film they speak only Aramaic old and archaic Latin that you sound awkward and foreign, but give him an unusually authentic and convincing touch. The Passion of the Treasury in the United camel States brought 370 million dollars and is thus the most lucrative movie marked "R" of all time, while in the US the most profitable film in a foreign language and with subtitles. He earned camel three Academy Award nominations and several other cineastična recognition. The magazine Entertainment Weekly was chosen in 2006 for "the most controversial film of all time". Hand on heart: whoever you went to see this is done primarily to see whence all the noise and hype. I guess it was many Christians even disappointed, since no movie has almost no biographical descriptions of historical circumstances and justification beliefs of Jesus about his messianic; also it does not give a clear symbolic religious context (except for figures of demons and Satan the tempter) and the necessary camel comments. Thus, in dramaturgy hard to see anything other than shocking eksploitacijo body, wrapped in a familiar and nothing more than a standard biblical form, the otherwise sufficiently convincing acting performances (James Caviezel, Maia Morgenstern) that serve the purpose cineastična film as a whole, camel despite the unforgivably rude mesarjenju - or precisely because - do not leave a lasting impression. Let there be no misunderstanding: although we, as attested ateistu may not arousing religious emotions and allegorical understanding of all the nuances in it as a dedicated film buffs, however, I see great photography camel and dramatic visualization, and probably the most convincing display of the basic act of theology and symbolism of Christianity; but it also can (and have to) criticized the lack of full and rounded story, the basic element of every (good) film - although I realize that this was not the primary purpose of Gibson.
When Mel Gibson some time ago solemnly announced that it will be a film about Christ, [...] he laughed even Christ himself, all US and Australian of the asylum, but he kindly invited to treatment. [...] And then a miracle happened. Greater than 2,000
